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courting Exposure: The Composition of Hemingways A sneak for peerless
1966- Hilary K. Justice
From : Resources for American Literary Study Volume 27, Number 1, 2001 pp. 65-77 | 10.1353/rals.2001.0005

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Resources for American Literary Study 27.1 (2001) 65-77

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Courting Exposure: The Composition of Hemingways A Canary for One
The fall of 1926 was one of Ernest Hemingways many dark periods, and the first to receive concurrent expression in his fiction. Professional and personalized events in the previous year had resulted in a radically divided subjectivity that would emerge in his writing and would in conclusion contribute to his suicide.

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This schism stemmed initially from problems in his reclusive life -- problems that he had created - and introduced a new concern that would last run counter to his compulsion to transform personal passage of arms into fiction: a concern for his privacy in the mettle of growing public recognition. The writing of the drafts of A Canary for One in September, 1926, chronicles this early personal nadir, illuminates a developmental passage in Hemingways creative process, and marks the beginning of his awareness of himself as a professional author (one who could assume publication earlier than hope for it)--a status which, as he recognized immediately, he could manipulate to his own advantage but which, as he long denied, was not without cost. The storys reliance on images of previously strong spaces burst open by catastrophe mirrors and reveals Hemingways own reliance, in his writing, on publishing (literally,...If you want to get a salutary essay, order it on our website: Orderessay



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