Professor Lehman
Humanities 110
October 13, 2003
Scarface (1983)
The 1983, Brian De Palma, remake of Scarface has its very own unique visual style. He utilize multiple images and many other visual motifs to var. patterns and give thematic meaning to the burgeon forth.
The use of multiple images, nearly related to split screen cinematography, is characteristic of De Palmas films. In this film he used mirrors and television monitors to give more than nonpareil image within iodine screen. The way he used these multiple images is an example of a free motif. The use of mirrors was universal in the booths at the Babylon Club. By using these mirrors it was possible to deliberate multiple images while the camera was focused on one person. When two men attempt to murder Tony Montana, while he was sitting in the booth, the mirrors show the stage character perform in the background. The more common example of multiple images was that of the command monitors as well as the television, in the same screen. one(a) of the thrusts showed Tony in the bathtub smoking a cigar. He was observation the television and it showed the four other surveillance monitors. Another shot showed Tony sitting in his big chair, with a mountain of cocaine on his desk.
Behind him it showed the six surveillance monitors with an army of guys cartroad through one of the screens.
A bound motif that was very unornamented throughout the film, was the connection between Tony and his sister Gina. The first measure they are shown together, they give each other a credit crunch that would not be common between brothers and sisters. They are retention each other very close, she put her hands on his head, then fixed his collar. He then gave her a content necklace. When they...
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