Two authors, born into devil different centuries, with two contradicting conceptions of f ar. flattery 43, takes a more approbatory tone towards adore, with Elizabeth Barrett Browning dedicating the poem, on with the entire collection, to her husband Robert Browning. She describes her bed for him as freely as men strive for rightfulness, as purely as they turn from Praise and her concept of love is that love is as vast and boundless as an evolved soul, transcending heaven and death. St. Vincent Millay uses the traditional flattery structure, posing the problem in the octave, and offering the solution in the sestet. The poem is adorned with phrases that portray imagery. The similarities between the six images atomic number 18 that they are mainly apply to outline a vagary of retreating, regressing beauty. She is utilise the natural examples as metaphors to her tone of love. Phrases like: topic to thicket, waning of the moon, ebb down tide goes step to the onward to sea are used in comparison to a mans love, how his love is like natures beauties, impermanent and transient. Her views on love are the result of her nonreciprocating love for men.
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