One of the hardest things for a director to do is to suggest a characters interior state without using duologue; one of Scorseses greatest achievements in "T axi Driver" is to take for granted us inside Travis Bickles point of view. There has been much parole about the ending, in which we see newspaper clippings about Travis "heroism," and accordingly Betsy gets into his cab and seems to give him admiration instead of her earlier disgust. Is this a fantasy scene? Di...If you want to get a costless essay, order it on our website: OrderEssay.net
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